Talking about The Dirty Picture, where she played a role inspired by Silk Smitha, Vidya said director Milan Luthria told her to respect the character as it would help the audience understand her struggle and choices. “Milan would often tell me that if I respect her, people will respect her. It has, in a way, freed a certain part in me. “… I may not do it as it is my choice but that doesn’t make it wrong if someone else chooses to do it. It was called ‘The Dirty Picture’ but it was not a dirty picture. Therefore, I feel my state of mind reflects in my choices. She was the most powerful character in the film and not for once you suspect that she is planning something.”
“On the other hand, in Kahaani the character makes you believe that she is a pregnant woman looking for her husband,” she says. In the film, Vidya played the role of an enterprising homemaker, who lands a job as an RJ. Related News
Vidya Balan on Padmaavat controversy: All films deserve to be releasedVidya Balan to play former Prime Minister Indira GandhiHappy Birthday, Vidya Balan: 5 beautiful ‘sari moments’ of the actor from 2017Vidya Balan picked powerful women characters even before “female-centric cinema” became mainstream in Bollywood and the actor, who has pioneered a change in the concept of the Hindi film heroine in the last decade, says her choices are often guided by her personal experiences. There are two sides to me, when the actor side comes out, I am different. This is why you start looking at me differently and value my aspirations.”
The actor says playing ‘Sulu’ helped her realise how difficult it is for women to juggle between work and home. “The onus is only on women, whether it is about bringing up the children and taking care of the house. “We always have a choice in life, either to see the glass half empty or half full and I look at it as half full.”
For all the latest Entertainment News, download Indian Express App He wanted to tell the story of Silk and not make a porn film. “I am a shy person. Vidya Balan in a still from Tumhari Sulu. “They could not get their head around the fact that it was about a pregnant woman and they were like, ‘Why would audiences want to see a pregnant woman in theatres’? In the same breath, I would say that as long as you are not feeling exploited and it is a choice, it is fine. You do not know what is going on in her mind. “I am in a privileged position and I am not talking arrogantly. The father’s job is not just to donate the sperm. I would wonder why he is not telling me anything about the character but just this. But she says the films that are among her personal favourites and have become turning points in her career, are Kahaani, The Dirty Picture and her last release Tumhari Sulu. Vidya has successfully established herself as an actor par excellence with films such as Parineeta, Ishqiya, No One Killed Jessica, The Dirty Picture, Kahaani and Begum Jaan among others. “I found the story interesting and said, ‘Let’s do it’. I would rather call her a homemaker. Vidya believes her character of Krishna in Ishqiya was somewhat similar to her role in Kahaani as both these women end up “outsmarting” everyone else in the end. Maybe, I was ready to let go of that judgement. She says the only brief that Ghosh gave her was that the film would be about a pregnant woman who comes to Kolkata to look for her missing husband. “Unfortunately, people do not go by the project, Sujoy had written a beautiful script, but they had kept in mind his previous two films which had not worked.” The memory of the shooting of the 2010 hit is still fresh in Vidya’s mind and the actor says even though she knew the script, she had to play a character who was discovering things in her journey. Power was always about mind game for her. This is why I chose ‘The Dirty Picture’.”
Vidya says similarly Tumhari Sulu was a special film as it reminded her of her mother. I can do anything for the character but as a person I am quite shy,” the actor adds. “I don’t like the term housewife as it means besides being a wife, she is someone who stays at home and has no identity. He told me to be free from my mind, thoughts and that I should not judge her. All these women (characters) follow their heart and do exactly what they want to do and in a way they were all an extension of me,” Vidya told PTI in an exclusive interview. But all is well that ends well,” she says. At the end, you realise that she was using the two men. Vidya believes Sulu’s character taught her that happiness is about one’s outlook towards life. But still, the onus is more on women,” she says. When I am working on a film, I am living another life altogether. “I knew Milan is a sensitive person and he was not doing anything for cheap thrills. “Every film or role that I have done has had some personal connect. It is unfortunate that they have to prove their worth. I have people taking care of the house when I am away. The film, which went on to become a hit at the box office, however, faced many financial hurdles and was eventually shot on a shoe-string budget. Every film that I have done has had a purpose in my life. I can’t handle this. It (climax) developed organically and when he narrated it to me, it blew my mind. (But) Things are changing as both husband and wife are involved with the child. I discovered things about myself. I am not ashamed of my body. But he was right to do that.” The actor says playing Silk helped her shed her prejudices about sexual morality. Choice is the key. Vidya, 39, counts her portrayal of Vidya Bagchi in the Sujoy Ghosh-directed movie as one of her finest performances. Vidya reveals she even lied to her pregnant sister about the ending of Kahaani, which is now counted among one of the best Hindi cinema thrillers. 2018-02-19T14:01:28+00:00″>
Updated: February 19, 2018 2:01 pm
Vidya Balan talks about her choice of films and characters. People who were approached for the film were not told about the (twist) ending. Only, Sujoy, me, cinematographer, and the ADs knew about it. We did a good job with the film in a limited budget despite all odds. “Krishna in ‘Ishqiya’ had a mysterious, elusive quality to her. We kept it a secret,” she recalls. “It was a multilayered character.