Comic-Con 2019: At 50, it is bigger than ever

There are lines everywhere for fan needs (panels, toys, autograph sessions, events) and human ones (food, bathrooms, transportation). But we didn’t even have any footage,” Thomas said. You’re really getting in contact with the fans, even for a brief moment,” Muschietti said. And, he thinks, it began the slow evolution of the convention into what it is today. is not bringing any of its DC properties. and New Line will premiere at its Wednesday night ScareDiego event. But look around the Gaslamp District where every inch of space has been branded by a movie, TV show, tech company or corporate brand (even down to the hotel key cards and elevators), and it’s clear that Comic-Con has become one big advertisement. I think it’s great.”
Lately, it’s become a bit of a mixed bag with just how involved Hollywood movie studios, which can fluctuate based on what there is to promote. Nowadays, some 135,000 people descend on the San Diego Convention Center and surrounding Gaslamp District every year. “It made Hollywood sit up and take notice,” Towry said. Since then, Comic-Con has been a madhouse. “Comics back then were looked down on by pretty much everyone.”


Roy Thomas remembers being part of one of the first “real movie events” at Comic-Con. I do like it, but I just feel like maybe it’s better to stick with my memories.”

Comment(s) The success of the original Star Wars may have a wake-up call for Hollywood. That had never been done on that level. “For me that was the end of it.”
For McWeeny, the intense focus on movie trailers and tidbits teased by those involved in the major panels at Comic-Con, “reflects the problem with overall culture beautifully: Our conversation about films happens 99% before they come out and 1% after they come out. “I suspect a lot of studios realized that having movies at San Diego Comic-Con costs a lot of money and I don’t know if it’s worth all that money in the end,” said Perri Nemiroff, a senior producer for and host of the YouTube series Movie Talk. In the summer of 1976, the artist and two other panelists took the stage to preview an unknown sci-fi property that wouldn’t hit theaters for another 10 months. “All we could do was sit there and talk about it and show a poster.”
He remembers the PR guy, Charles Lippincott, trying to sell the posters later for $1 apiece. More Explained

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For most, the real tipping point for Comic-Con and Hollywood came in 2008 when “Twilight” descended on the Gaslamp District. “I do think to some degree it’s rolling back,” McWeeny said. Popular Photos

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“He didn’t even sell them all,” Thomas laughed. Our cultural conversation is about marketing.”
For others, Comic-Con holds value in that filmmakers get face time with fans. Tickets are hard to come by, as are hotels and parking, and everything is expensive. It was, of course, “Star Wars” and he was working on the promotional comics that Marvel would put out prior to release. Advertising

“It’s become so huge now, it’s almost like Yogi Berra said: ‘Nobody goes there anymore, it’s too crowded,’” Thomas said. But it took a while for Comic-Con to really “go Hollywood.”
“We were just looking to get together with our fellow comic fans and some of the people who created the comics and science fiction we enjoyed,” Towry said of the early years. There are still artists on the showroom floor and off-the-beaten path panels in the spirit of those first few years. And perhaps “missing out” is no longer a fear: Fans can see most of the footage online soon afterward. Marvel Studios has sat out before, and this year Warner Bros. “We had a few posters. Advertising

“A long time ago he said, ‘One day Hollywood is going to come to Comic-Con to get its ideas,’” co-founder Mike Towry said. “The best thing that can happen is Hollywood just gets bored of it and it becomes something that is really for fans again.”
Plus there’s just the hassle of getting and being there. “That seemed pretty far-fetched to us, but Jack Kirby was pretty visionary.”
As the 50th Comic-Con kicks off Wednesday, with a big Marvel Studios panel on Saturday that’s sure to be the hottest ticket in town, and Spider-Man and the Marvel Cinematic Universe dominating the box office, Kirby proved to be right. The “Twihards” took fandom to a new level when they camped out overnight to secure a spot to see the panel. The film is almost inconsequential. “The fans have the opportunity to meet the cast there that they love so much and get an autograph. She also noted that studios like Disney have their own brand-specific conventions like D23 and Star Wars Celebration. “It’s huge. “It” director Andy Muschietti is returning this year with some cast and new footage from “It: Chapter Two,” which Warner Bros. “That’s why I stay away. “You could feel it when Hollywood really started figuring out that that this was a major publicity opportunity and targeting it,” said film critic Drew McWeeny, who started attending in the early 1990s. “He ended up giving some of them away.”
Compare that to 28 years later, when Lucasfilm revealed the title for the final Star Wars prequel, “Revenge of the Sith.” Germain Lussier, a staff writer for the websites io9 and Gizmodo, remembers it being “electric.” Some 7,000 screaming people jumped out of their seats and made a mad dash to the showroom floor to get one of the T-shirts available at the Star Wars booth.