You know you are watching a Quentin Tarantino film if…

In the bloody battle towards the end of the film, a fusion rap of James Brown’s “The payback” and Tupac’s “Untouchable” hits us unaware but it is timed incredibly well as Django goes on a gun rampage, shooting everyone in sight. Be it the gruesome death of Hitler or breaking the leg of Diane Kruger’s Bridget von Hammersmark in Inglorious Basterds, the director leaves no stone unturned when it comes to ‘keeping it real.’ In fact, the aforementioned sequences are not the worst in the list of gory violence the filmmaker has depicted on screen. Dialogues
A film can be entertaining as well as dialogue-heavy as Quentin Tarantino has so often proved in the past. Advertising

What music also does in a Tarantino film is break the tension and elevate it at the same time. Not only does Tarantino show that through film, the director underlines his fascination with feet in Pulp Fiction via dialogue as well. And the man is not lying. A rap in a western? Santa Esmeralda’s “Don’t Let Me Be Misunderstood” plays in the background as The Bride and O-Ren Ishii ready themselves for the ultimate showdown. More Explained

How a hill in the Western Ghats buried a part of a village in Kerala

However, it is being said that in his ninth film Once Upon a Time in Hollywood, Tarantino has broken free of all his tried and tested formulas. 3. Some of Tarantino’s most memorable trunk shots are those from Reservoir Dogs, Pulp Fiction and Kill Bill Volume 1. A trunk shot in Quentin Tarantino’s Reservoir Dogs. However, my personal favourite is when Inglorious Basterds’ Shosanna puts on make-up as she dresses herself to the T to set Adolf Hitler on fire. Dialogues is yet another Tarantino tool that the director uses to heighten the tension or convey a personality trait of the character. Take for instance Django Unchained. 2. David Bowie’s “Cat People” plays. Another example in case is the fight between Uma Thurman and Lucy Liu in Kill Bill Volume 1. Bowie sings of gasoline and putting out fire as Melanie Laurent’s character takes charge of the situation. Once Upon a Time in Hollywood releases on August 15 in India. Advertising

Ahead of Once Upon a Time in Hollywood’s India release, we look at some of his ‘signature moves.’
1. Paying tribute to his own influences via his movies
“I steal from every single movie ever made,” Tarantino had once said in an Empire magazine interview in 1994. Stylised violnce combined with punchy one-liners, Tarantino delivers in Tarantino fashion. Game of Death and Kill Bill, City on Fire and Reservoir Dogs, Django and Django Unchained, Foxy Brown and Jackie Brown, Lady of Snow Blood and Kill Bill Volume 1. Remember that conversation between Jules and Vincent about massaging a pair of female feet? 5. For the uninitiated, the trunk shot is a shot which is captured from the trunk of a vehicle. 0
Comment(s) Music
In nearly every movie, Tarantino’s soundtrack stands its own ground. The signature shots

Popular Photos

On Shammi Kapoor’s death anniversary, a look at his rare photos

Johnny Lever turns 62: Rare photos of the ace comedian

Kangana Ranaut celebrates Judgementall Hai Kya success

Tarantino has a few signature shots, one of which is the trunk shot, and another is his ‘ode’ to the human feet. Only in a Tarantino movie. The elaborate exchange between the characters of Tim Roth and Amanda Palmer in Pulp Fiction is a classic example. The list of Tarantino borrowing from a former piece of art is endless. In fact, Tarantino has popularised the trunk shot to the extent that an entire Wikipedia page has been dedicated to his obsession with this specific style of shooting. Violence
Depicting explicit violence in movies comes easily to Tarantino. Remember the final battle between Uma Thurman and Lucy Liu’s characters in Kill Bill Volume 1? They are distinctive, reflective of the filmmaker’s personal tastes and they almost always fit well with the sequences. 4. Be it a certain fight choreography, the cinematography or the name of the movie itself, Tarantino has proved himself to be quite the craftsman when it comes to mixing and matching. Well, as long as it is entertaining, I am in. And every Tarantino lover worth his/her salt knows how the director admires a pair of human feet.